Rabbi Jonathan Sacks, z/l: Pekudei Encampments & Journeys

Rabbi Sacks teaches that the creation of the Sanctuary represents a human parallel to the Creation of the universe. The Torah devotes more detail to the construction of the Sanctuary than to anything else, implying that the Israelites were obeying God’s instructions instead of making their own. “The Holy” is where we meet God on His terms, not on our own.

Rabbi Jonathan Sacks, z’l: Vaykhel Mirrors of Love

Rabbi Sacks addresses the interesting aspect of the role of women in this parashah: they are specifically mentioned as contributors, and before the men. This contrasts with the textual implication that they refused to participate in the making of the Golden Calf. He then cites Rashi, stating that when the women volunteered their mirrors, the mirrors reflected their role in giving birth and caring for their families.

Shabbat on Broadway: Cantor Azi Schwartz

Featuring leading Broadway stars at the St. James Theatre for Shabbat Shira last week, Shabbat on Broadway was an inclusive experience that blended prayer and inspirational showtunes. Produced by Amanda Lipitz and Henry Tisch, this event fostered a sense of togetherness during a challenging time for Jews worldwide.

Rabbi Jonathan Sacks, z/l: Tetzaveh The Aesthetic in Judaism

Rabbi Sacks comments on the traditional of skepticism regarding appearances. He provides an interesting detail, that the word for clothing—begged—is the same as the word for betray—bagad(nu). Jacob used Esau’s clothes to deceive Isaac, while Joseph’s brothers used his clothes to deceive Jacob. Yet the Torah describes distinctive garments for the Kohanim—“for dignity and beauty”.